INFLUENCE

The cancel culture never sleeps. The discovery that Edward Hopper once copied paintings “challenges the notion that Hopper was an absolute original, uninfluenced by others” according to the breathless headline in the New York Times. A rather silly conclusion since Hopper was sixteen at the time, and was obviously using the paintings of others as an exercise, to hone his—yet unformed—skills. And since neither the technique nor the themes of these pedestrian paintings prefigure his later work, it is a real stretch to speak of “influence.” When I was sixteen I remember clumsily copying Picasso’s “Mirror Woman”; the masonite panel hung in my parents’ basement rec room for years. I was rather proud of it.