Modern life

In 1973, my friend Martin Pawley published The Private Future: Causes and Consequences of Community Collapse in the West. According to his  Guardian obituary (he died in 2008) the book “foresaw a society with ever greater technical means of communication becoming paradoxically more insular and dysfunctional.” Here is an extract (which appeared in full on the jacket of the original hardcover): “Alone in a centrally heated, air-conditioned capsule, drugged, fed with music and erotic imagery, the parts of his consciousness separated into components that reach everywhere and nowhere, the private citizen of the future will become one with the end of effort and the triumph of sensation divorced from action.

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According to the United Nations Secretary-General, the coronavirus pandemic is the “greatest test” the world has faced since the United Nations was formed in the wake of the Second World War. One of the results of that global war was the ascendancy of modernist architecture, which until then had been a distinctly Bohemian side show of little import. It was not until the postwar 1950s that steel and glass office towers and precast concrete housing blocks appeared—and came to dominate the built environment. One wonders if a post-pandemic world will see a comparable phenomenon. Of course, a plague does not materially lay waste cities,

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As a confirmed Anglophile I can’t resist another season of The Crown. But the episode “Dangling Man” that dealt with the Duke of Windsor left me dissatisfied. In a BBC interview, the Duke (played by Derek Jacobi) gives the impression that he was forced to abdicate in large part because of his progressive views of the role of the monarchy. He was hardly a progressive. In 1937, after his abdication and marriage to Wallis Simpson, the couple visited Germany, were well received by Hitler, and thereafter proved active appeasers. There was much talk of their pro-Nazi sympathies and intrigues with highly-placed Nazis.

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