Modern life

GOD’S HOUSE

In an article in the current issue of Design Intelligence, the architect and Notre Dame professor, Duncan G. Stroik writes that the design of contemporary  megachurches, which he characterizes as “non-architecture,” leaves much to be desired. It’s hard to argue with that (see my Slate slide show on megachurches here). But then Stroik goes on to equate megachurches with modernism, whence he elides into the classicist’s standard litany of the failings of modernist architecture. “Gone was the need for human scale and proportions, natural materials, historical elements, and the classical understanding of civic order,” he writes.

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I AM A MEMORIAL

VenturiThe book launch of Civic Art, a history of the first hundred years of the U.S. Commission of Fine Arts, was the occasion for the Charles Atherton Memorial Lecture at the National Building Museum, delivered this year by Thomas Luebke, the current secretary of the commission. In the course of his talk, Luebke made an interesting observation: commemorative memorials in Washington, D.C. have become increasingly influenced by other media, specifically photography. When the Lincoln Memorial was completed in 1922, Daniel Chester French’s statue of the president was the sculptor’s interpretation of his subject (French did have access to a life mask of Lincoln,

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Lest We Forget

We remember the past in different ways. World War II produced memoirs (Frank, Wiesel, Tregaskis), histories (Churchill, Shirer, Keegan), novels (Mailer, Jones, Heller), and innumerable films and television documentaries. So did the Vietnam War (Dispatches, A Rumor of War, A Bright Shining Lie, The Best and the Brightest, as well as The Deerhunter, Apocalypse Now, and Platoon). Of course, there are also built memorials, which form the focus of wreath-layings and commemorative ceremonies, but our memory resides in many places. So I find the present custom of making so-called visitor centers an integral part of memorials odd,

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An Age of Anxiety

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Every evening I watch the evening news. News may not be exactly the right word. The reports are a combination of speculation about what is about to happen—a presidential speech, a new pope, the Oscars—and spokespeople touting one point of view or another on the issue of the day. Which today is sequestration, or rather “what Washington refers to a sequestration,” as the media insists on calling it, despite the fact that by now it is a term surely familiar to all. But perhaps the most common “news” story is the revelation of a new topic of concern: a previously ignored disease,

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Nicknames

Jean Beliveau-1

I was in Montreal recently and read in the local paper about the first Canadiens hockey game of the season, which was opened by Jean Beliveau (now 82). In his playing days, Beliveau was known as “Le Gros Bill,” after a popular 1949 French Canadian movie of the same name. Many top hockey players had nicknames: Maurice “Rocket” Richard, Bernard “Boom Boom” Geoffrion, Emile “Butch” Bouchard. The great Jacques Plante was “Jake the Snake.” Nicknames used to be popular. Actors had them, especially the old Western stars—George “Gabby” Hayes, Allan “Rocky” Lane, Alfred “Lash” LaRue, Edmund “Hoot” Gibson,

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Schooldays

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An article in today’s New York Times on classroom chairs reminded me of my schooldays. As far as I remember, we had wooden desks with a built in bench seats, attached to the floor. The desk-top, usually carved with a chronicle of interesting graffiti, was sometimes hinged with a storage space beneath that we never used. We didn’t used the hole in the top, which was made to hold an ink-well, either. The desks were sturdy and not particularly comfortable—they weren’t intended to be. The Times piece is full of fluff about how different classroom chairs might improve learning,

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Boiling Water

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Every morning I boil water for making tea or coffee (I alternate). What starts my day is the most perfect kettle I have ever used. It is the work of Sori Yanagi (1915-2011), a Japanese product designer probably best remembered for his molded plywood Butterfly Stool. Yanagi studied architecture, but the kettle is decidedly not architectural—no purist Platonic forms, no postmodern irony, no gimmicky whistles. It is just a kettle: handle, spout, lid. Yet this perfectly balanced and shaped everyday object provides a feeling of well-being every time I use it—or even glance at it.

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The DD Virus

Last week, after lunch at a bistro on Rittenhouse Square, I dropped in at the Comcast Center to look at the huge video screen—a digital mural—in the lobby. I had written about the screen two years ago, finding it captivating, and since the content regularly changes, I thought it would be fun to see it again. I watched for a while and found my attention wandering. The material seemed less creative, less witty and sophisticated, more predictable. Apart from an interminable clip of close-ups of baseball players in action, the segments seemed shorter, too. Then it dawned on me.

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