THE MILLE-FEUILLE EFFECT

Writing about the late Jon Jerde in a recent issue of Architect, Karrie Jacobs brought me up short with a wonderfully pithy phrase. She described a Jerde-designed project as “a mille-feuille of the simulated and the real, layer upon layer upon layer.” Exactly. I remember visiting the newly-built Horton Plaza in San Diego, an urban shopping mall that Jerde designed in 1985. My first reaction was revulsion—this was postmodernism on steroids, cliché piled upon cliché. But then the Mille-Feuille Effect kicked in. The stagey architecture was obviously fake, but the sun and fresh air were real (the public spaces were not roofed).

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THROWAWAY ARCHITECTURE

hooverbuiling1The federal government is looking for a developer to build a new suburban home for the FBI. The old FBI headquarters on Pennsylvania Avenue in Washington, DC is offered in exchange. A 41-year-old public building is going on the block. Admittedly the FBI headquarters (designed in 1975 by Charles F. Murphy & Associates) is an eyesore and won’t be missed (assuming it’s torn down, which seems to be its likely fate). But only 41 years! Washington is full of buildings that are two and three times as old. The first federal office building, the venerable Patent Office,

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SPLENDID LOCATECTURE

B3G4f6lIcAAUkvnMessyNessyChic, a blog about libraries and books, recently featured the old Cincinnati Main Library, built in 1874 and demolished in 1955, less than a century later. The period photographs show a building of subtlety and sophistication. The four-story facade on downtown’s Vine Street is pragmatically built up to the sidewalk (like Chicago’s Harold T. Washington Library), and gives nothing away about the extraordinary space within. It is a “room full of books” what better image for a library than that? The architect was James W. McLaughlin (1834-1923). Born in the city, he apprenticed with a prominent local architect,

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CITY OF TOWERS

black,,,white,fourties,new,york,skyline-16bd1ca2f6129d450b03b959aa0e59a4_hThere was a Q and A after my Landmark West! lecture on New York’s Upper West Side. One person wanted to know what I thought about the exceptionally tall residential towers that are radically changing Midtown’s skyline. One57, Christian de Portzamparc’s skinny 75-story condominium, under construction on West 57th Street is an example. I’ve written about this new trend. The current phenomenon is a function of globalization and real estate, and has little to do with  architecture. But, then, that was always the case with Manhattan. As late as the 1940s, the high-rise real estate development projects of numerous entrepreneurs produced a memorable skyline: animated,

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THE EVER-PRESENT PAST

I am speaking at an architectural conference in Charleston. The participants are architects who design custom houses, and many of the presentations highlght the difference between traditional and modern design, since so many custom houses fall into the first category. At one point, a member of the audience (somewhat impatiently) points out that if this were a meeting of fashion designers, or industrial designers, the distinction would not arise; the implication is that we would be discussing only “the latest thing.” Of course, I thought to myself, that’s because fashion and consumer products are so fleeting. There is no tradition of the laptop;

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STAMPS

OstenI collected stamps as a boy. Mostly I was imitating my father. He collected only Polish stamps, and his collection begins with the outbreak of the Second World War. The earliest stamp is postmarked “Warszawa 1940.” It is not Polish but German, and bears the stern countenance of Paul von Hindenburg. The stamp is overprinted Osten, meaning East, that is, occupied Poland. My father’s collection includes poignant stamps issued by the provisional Polish government in London, as well as military stamps of the Polish II Corps in Italy, where he served in the SOE.

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NOIR TOWER

doodle-810-ivory-towerIn a New York Times op-ed on the failed political career of Michael Ignatieff, the intellectual who had a short-lived stint as leader of  Canada’s Liberal party, David Brooks argues that academics are ill-suited to be politicians.“In academia, you are rewarded for candor, intellectual rigor and a willingness to follow an idea to its logical conclusion,” he writes. “In politics, all of these traits are ruinous.” Candor, intellectual rigor? This rosy view of the academic world is obviously that of an outsider, for academia is rife with obfuscation and intellectual fashions—and with politics. Teachers woo the electorate (the students),

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