Architecture

The Master Builders

I attended a meeting of the Design Futures Council ambitiously billed as a “Leadership Summit on Sustainability.” Present were engineers and representatives of the building materials industry (whose parent organizations were the chief sponsors of the event), but most of the participants were architects. The last group voiced a recurring theme. “It is important to think not only about buildings but about neighborhoods, and not only neighborhoods but cities, or preferably regions. Better still, the entire planet.” During the meeting, one architect voiced the opinion that architects could design anything. Oh, really? Architects are trained to design buildings.

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State Caps

American state capitol buildings are traditionally a smaller version of the U.S. Capitol, complete with central dome; you can find them in Montpelier, Harrisburg, Little Rock, and Salt Lake City. The state capitol in Lincoln, Nebraska is different. There is a small gold dome, but it’s on top of a fifteen-storey office tower. The architect was Bertrand Grosvenor Goodhue. He won a 1920 national competition against formidable competition; second and third places were was taken by John Russell Pope and McKim, Mead & White, who both designed classical schemes with the familiar domes.

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Getyourshittogether

And now for something completely different.

The Bill and Melinda Gates Foundation has turned its sights on a new global problem: sanitation. The foundation has committed $3 million to support research that has as its goal to “reinvent the toilet as a stand-alone unit without piped-in water, a sewer connection, or outside electricity—all for less than 5 cents a day.” “Reinvent the toilet” outré, but it isn’t. Children playing around a sparkling water pump are more photogenic than a well-functioning toilet, but inadequately treated human waste is the source of most water-transmitted diseases. And since running water supply is in short supply in third world countries,

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Style Wars

Some classicists have called for a  “war” with architectural modernists. While this sounds rousing, I believe it widely misses the mark.

For one thing, it creates a straw man called The Modernist. As if you could really lump Thom Mayne, Renzo Piano, Peter Bohlin and Moshe Safdie together. Modernism is as internally riven as the Republican party. The Koolhaas-Hadid-Libeskind fringe receives media attention, but many of the big serious jobs go to the Piano-Foster-Rogers faction. The Centre Pompidou was seen as the swan song of so-called high-tech design, in fact it was the beginning of a style that has come to dominate a variety of building types: airports,

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The Royal Business

My friend Marc Appleton recently recommended a book by Royal Barry Wills. Wills (1895-1962), a Massachusetts native, was an architect (though his MIT degree was in engineering) who in the 1930s popularized the Cape Cod cottage and was a well-known residential designer. In 1938, LIFE magazine invited several architects to design modern and traditional houses; actual families would then chose one to build. Wills prevailed over no less than Frank Lloyd Wright. Wills’s book is the long out-of-print This Business of Architecture, originally published in 1941. It contains chapters titled “Stalking and Capturing of Clients” and “Design Within the Owner’s Budget.” The book is illustrated with Wills’s delightful drawings,

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The Rude Building

From the Plus Ca Change Desk.

Have people read A. Trystan Edwards? Edwards (1884-1973) was a Welsh architect and town planner who studied at Liverpool, and articled under Sir Reginald Bloomfield. In 1924 he published an extraordinary book, Good and Bad Manners in Architecture that discusses many of the issues currently raised by the current New Urbanism movement. You can get an idea of the book from the frontis page: “This book asks the novel question, How do buildings behave towards one another? It contrasts the selfish building,

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The Taxi Index

There are so many indices for measuring urban success: creative jobs, low crime rates, low pollution, walkability, high education levels, happiness quotients. I would add another. Returning to Philadelphia from a trip last week I took a taxi. I sat in a beat-up car, squashed into the back seat by a crudely made security barrier plastered with scratched up decals, no air-conditioning, and to add insult to injury, the reckless driver didn’t even know the city. I had just come from LA where all the taxis I took were new Prius’s, picked me up on time, and the drivers seemed to know there way around.

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Round and Round

Palladio’s Villa Rotonda has provided inspiration for architects over the ages, starting with Vincenzo Scamozzi, Palladio’s student who completed the Villa Rotonda after his master’s death. Scamozzi built La Rocca, a hilltop villa in nearby Lonigo. Inigo Jones designed several bi-axial houses, but never found a client. In the eighteenth century, there were at least four British Rotondas, the most celebrated being Lord Burlington’s Chiswick House. There are a number of more recent examples; I have seen a house inspired by Rotonda on the outskirts of Pittsburgh, designed by Alvin Holm,

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