Architecture

THE EVER-PRESENT PAST

I am speaking at an architectural conference in Charleston. The participants are architects who design custom houses, and many of the presentations highlght the difference between traditional and modern design, since so many custom houses fall into the first category. At one point, a member of the audience (somewhat impatiently) points out that if this were a meeting of fashion designers, or industrial designers, the distinction would not arise; the implication is that we would be discussing only “the latest thing.” Of course, I thought to myself, that’s because fashion and consumer products are so fleeting. There is no tradition of the laptop;

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DIGGING DEEP

NYPL 1Peter Pennoyer and Sam Roche have recently unveiled a counterproposal for expanding the New York Public library that preserves the stacks intact and extends the library underneath the Terrace in Bryant Park. Many will be caught up short by the architectural style of the addition which is as unlike the Foster + Partners proposal as oil and water. Critics of the Foster design likened its slick but characterless atmosphere to that of a chain bookstore. Well, the Pennoyer/Roch design certainly doesn’t look like a store, unless it is the late-lamented Scribners Bookstore on Fifth Avenue. More important is that the scheme shows a alternative strategy to enlarging Carrère &

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THE IKE MEMORIAL, CONT’D.

dwight-d-eisenhower-2A New York Times story described a recent report of the House Natural Resources Committee criticizing the commission that is in charge of building the Dwight D. Eisenhower Memorial in Washington, D.C.  But the Times didn’t mention, as the Washington Post did, that the Congressional committee has not actually voted on the report, which was released by the Republican majority. Moreover, according to Martin Pederson, editor of Metropolis, the report is the work of a single staffer. The Times headline was Memorial Plan Called a ‘Five-Star Folly’. 

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THE VIEW FROM DOWN HERE

“The best metaphor for getting older,” Twittered Paul Goldberger recently, “all the hills are steeper, but the views are better.” That sounds about right, although from where I stand—and increasingly sit—the views are not always what they were. I was brought up on Sixties jazz, for example, and I can’t help but agree with with the late Frank Zappa’s pithy assessment, “Jazz is not dead, it just smells funny.” I remember when there was just one telephone company, you didn’t actually own your home phone, and it never, ever broke down. And I remember when cities were real places rather than tourist attractions.

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PUT IT BACK

The tragic fire at the Glasgow School of Art, Charles Rennie Mackintosh’s masterpiece, raises anew the question: How to rebuild? In a thoughtful blog, George Cairns of Melbourne’s RMIT, who has studied the building in detail, points out that many undocumented changes were made during the building’s construction, so it will be impossible to recreate what was there. In addition, the inevitable demands of modern fire security will likely alter the original design. Rather than try to rebuild Mackintosh’s design, Cairns argues for “great architects to be invited to design a worthy intervention that will breathe new life into the school.”

I’m not so sure.

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JUST SAY NO

Reed Sparling is with Scenic Hudson, an environmental organization opposing plans by LG Electronics to construct a corporate headquarters atop the Hudson River Palisades. LG’s architect, HOK, proposes an 8-story slab that critics, such as Michael Kimmelman of the New York Times, maintains will despoil the scenic beauty of this National Natural Landmark. “LG is receiving the blame for constructing this building, and rightfully so,” writes Sparling in an email. “But does/should an architect have moral or civic responsibility to say no if a potential design threatens highly valued (and irreplaceable) natural resources?” It’s a good question.

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PENCIL AND SCALE

Marco Velardi invited me to contribute to a small exhibition called Source Material, that he was organizing with Jasper Morrison and Jonathan Olivares during this year’s Salone del Mobile in Milan. “We request from you an object of personal value; a reference, keepsake, object, that has informed, provoked, and stimulated your work,” is what he wrote. I sent a pencil and a scale. Here is what I wrote:

I have used many tools as an architect—T-squares, triangles, compasses, protractors, and ruling pens—but the essential tools for me remain a pencil for drawing and sketching, and a scale for measuring.

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HEALTHY ARCHITECTURE

A recent article on the impending demolition of the Coler-Goldwater Hospital on Roosevelt Island by the architect and photographer Charles Giraudet raises an important question. The Goldwater portion of the hospital (originally called Welfare Hospital) opened in 1939. It was designed by Isadore Rosenfield, a Harvard educated Russian immigrant who was the Chief Architect of the Department of Public Works and in charge of New York City’s $100 million hospital building program. The architecture is modernist, with Art Deco motifs, and a chevron plan that presages Louis Kahn. As Giraudet, who has been documenting the empty buildings prior to their demolition,

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