Architecture

A WRITING LIFE: PART THREE

In 2004 I got a call from Jacob Weisberg, the editor of Slate. Would I be its architecture critic? Sixteen years earlier I had written a column for Wigwag, a short-lived general interest magazine that had been done in by the 1991 recession. But I was now 61, which seemed a bit old for an online magazine that appeared to be staffed by twenty somethings. I told Jacob that if I accepted I was not interested in simply reviewing new buildings. He said that was fine with him. Over the next six years I wrote 133 essays and slide shows.

… Read more

A WRITING LIFE: PART TWO

In 1989, three books later, I wrote The Most Beautiful House in the World, about how my wife Shirley and I built our own house in rural Quebec. The book was reviewed on the front page of the New York Times Book Review, and made it to the bestseller list. Later that year I got a call from a Times editor who invited me to write something on architecture for the Arts & Leisure section of the Sunday paper. I was taken aback because although I was an architect, I had written articles and book reviews on other subjects,

… Read more

OPEN BUILDING

My friend Steve Kendall gave me a copy of his latest book, written with the late John Habraken, Open Building for Architects. Wiki defines Open Building as “an approach to the design of buildings that takes account of the possible need to change or adapt the building during its lifetime.” Reflecting on this ambitious goal—buildings can last for centuries—led me to a conclusion: There’s no such thing as Open Building. Or, to put it another way, buildings have always been open to change.

I am put in mind of the Uffizi Museum (originally magistrates’ offices),

… Read more

GOD-KNOWS-WHAT-KIND-OF-CLASSIC

I read Catesby Leigh’s interesting article, “Uncle Sam’s Buildings,” in The American Conservative. He argues in favor of the federal buildings that were built in the prewar era, and which more or less followed the classical style, and is critical of the modernist era, perhaps best characterized by the awful FBI headquarters building in DC. His essay brought up a question for me. The examples of classical federal buildings that he admires are all from a particular era, and his essay implies that this architectural style should continue ad infinitum. Whatever the merits of this suggestion,

… Read more

PHILADELPHIA ON THE ROCKS

A happy four days spent on Mount Desert Island. Gave a lecture on Planting Fields to the Beatrix Farrand Society; visited the spectacular Abby Rockefeller Garden; had a memorable lunch at Martha Stewart’s great house, Skylands; saw a beautiful wooden body 1913 Peugeot in the Seal Cove Auto Museum; went sailing on a Herreshoff canoe yawl; ate Scott Koniecko’s perfect oysters in his as-yet unfinished perfect house. I stayed in Northeast Harbor, once known as Philadelphia on the Rocks because so many Philadelphians summered there, and because they were a tipsy crowd. Cheers!

… Read more

ARCHITECTURE AND BUILDING

“It is very necessary, in the outset of all inquiry, to distinguish carefully between Architecture and Building,” wrote John Ruskin in the opening chapter of The Seven Lamps of Architecture. The modern democratic spirit tends to resist this distinction. Surely all buildings can be architecture, the humble as well as the grand, the cottage as well as the cathedral? The problem with this well-meaning leveling out is not that it elevates the former but that it tends to lower the latter. When a utilitarian apartment block or office building is treated as architecture, that establishes a sort of benchmark in which repetition,

… Read more

SKETCHING

Architects have always travelled with sketchbook in hand. Partly it’s a way of recording interesting places, but more importantly, it’s a way of seeing. The opposite of point-and-shoot, sitting and drawing is a leisurely way to absorb one’s surroundings. My friend Laurie Olin, a lifelong travel sketcher, has been publishing collections of his sketches, grouped by country; four years ago France Sketchbooks and recently In Italy, both from ORO Editions. Olin’s sketches are more than attractive impressions—although they are that—they also reflect a landscape architect’s practiced eye, being full of detailed notes and observations.

… Read more

THE END OF ARCHITECTURE?

I got an email request the other day. The sender had asked ChatGPT “What are the best articles about architecture written since 1990?” and the third recommendation, after two essays by Koolhaas, was “The End of Architecture?” by Witold Rybczynski. According to the bot, “In this provocative article published in 1996, Rybczynski reflects on the state of architecture at the end of the 20th century and questions whether the discipline has reached its limits or if new directions are emerging.” Stirring stuff. Could I send a link to the article, my correspondent asked? He had been unable to find it online,

… Read more