This week the short list was announced for London’s new Center for Music, which will be the future home of the London Symphony Orchestra and the Guildhall School of Music and Drama. The usual suspects include Frank Gehry, Renzo Piano, Norman Foster, and Snøhetta. Traditionalists need not apply; that’s a shame. Léon Krier has recently written about a new site for the hall, and it would have been nice to see at least one name like John Simpson or Robert Adam on the list. Or Bill Rawn of Boston, who has designed some admirable low-key concert halls. But the Symphony Orchestra wanted fireworks. Gehry’s Disney Hall is hard to beat, but London may not be the place for his brand of acrobatics. Piano’s hall will have red seats, and be predictably workmanlike. Foster will be Foster. My money is on Amanda Levete. She is teaming up with Jack Diamond and Donald Schmitt of Toronto, who have designed opera houses in Toronto and St. Petersburg, and a concert hall in Montreal. If London wants a building that sounds good and can be built without breaking the bank—or cutting corners—they should consider this team.
On Culture and Architecture